"The surround-sound recording is as stunning as earlier instalments – airy, spacious, finely detailed and realistic, although the Stockholm Konserthus sounds rather too reverberantly empty. Ashkenazy’s timings are very close to his Boston performance, distinctly slow and measured, with an air of reflective poetry and Slavic warmth ... Tapiola is somewhat soft‐centred but nonetheless atmospheric, the Swan is exceptionally eloquent and chilling. Altogether this is a refreshing alternative to more granitic interpretations"